In his book Concrete Planet, author Robert Courland discusses why the concrete first used by the Romans is more durable than the concrete used in most present day buildings. Plus, mineralogist Peter Stemmerman tells us about his invention, Celitement and why it is greener than Portland cement.
This is SCIENCE FRIDAY. I'm Ira Flatow. Some good news for the nuclear industry. The Nuclear Regulatory Commission licensed the construction, issued licenses for the construction, of two nuclear reactors at a plant in eastern Georgia. Until last week, the NRC hadn't approved the construction of any new reactors in the U.S. since 1978. That was a year before the partial reactor meltdown at Three Mile Island in Pennsylvania.
Originally published on Mon February 24, 2014 4:04 pm
If you've been in New Orleans for carnival season, or if you're lucky enough to taste a cake from there that has arrived in the mail, there's a pretty good chance that yes, there is a plastic baby that comes with your cake.
The baby, meant to represent Jesus, has become a fixture of the king cake (galette des rois in France or rosca de reyes as it's called in Mexico). It's a frosted yeast dough cake that New Orleans bakeries churn out between King's Day, January 6th, and Fat Tuesday, the last day of indulgence before Lent.
While pretty much any corner of Benghazi is a fine place to celebrate this week, the heart of the celebrations are taking place at the courthouse and its public square, where some of the revolution's first protests took place.
It is with great sadness that we report the sudden death of a frequent Fresh Air guest. New York Times foreign correspondent Anthony Shadid suffered a fatal asthma attack yesterday in Syria, where he was reporting on the political uprising.
Originally published on Sat February 18, 2012 10:24 pm
Produced by Hot Chip's Dan Carey, Chairlift's new album Something blends upbeat, synth-heavy pop with eerie lyrics that depart from the purely effervescent sound of the 2008 hit "Bruises." On Something, singer Caroline Polachek takes risks — manipulating her vocals with AutoTune and even programming synth parts to mimic the sou