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David Gilkey is a staff photographer and video editor for NPR, covering both national and international news. He has produced award-winning photo essays, videos and multimedia presentations for NPR.org, as well as radio reports for NPR.
As one of the first unilateral journalists to move into Afghanistan and the first to cross the border into Iraq while embedded with the U.S. Army, Gilkey has covered the war on terrorism since the September 11, 2001 terrorist attacks. In that time, he has made numerous trips back to both countries most recently covering U.S. operations in southern Afghanistan.
In 2009, Gilkey covered the conflict between Israel and Hamas in Gaza. The next year he made numerous trips to Haiti to cover the devastating earthquake that hit the island nation in January. His work in Haiti earned Gilkey two 2011 Investigative Reporters & Editors awards. Gilkey documented the fall of apartheid in South Africa, famine and conflict in Somalia, tribal warfare in Rwanda and the war in the Balkans.
Throughout his career, Gilkey has received numerous awards from both national and international photo competitions. In 2011, Gilkey was named Still Photographer of the Year by the White House Photographers Association (WHPA). In addition he's earned 36 distinctions from the WHPA since 2009, including nine first place awards.
Gilkey's contribution to the NPR Investigation "Brain Wars: How the Military is Failing the Wounded" was recognized by a 2010 George Polk Award. That series was also honored with Society for News Design's 2011 Award of Excellence and a 2011 Dart Award for Excellence in Coverage.
He received a 2007 national Emmy award for a video series "Band of Brothers" about Michigan Marines in Iraq. In 2004, he was named Michigan "Photographer of the Year" by the Michigan Press Photographers Association.
Gilkey studied journalism at Oregon State University. His first job was at the Boulder (CO) Daily Camera, where he handled local assignments for the paper and overseas assignments for Knight Ridder. He later joined the Detroit Free Press where he worked until 2007.
Eric Deggans is NPR's first full-time TV critic.
Deggans came to NPR in 2013 from the Tampa Bay Times, where he served a TV/Media Critic and in other roles for nearly 20 years. A journalist for more than 20 years, he is also the author of Race-Baiter: How the Media Wields Dangerous Words to Divide a Nation, a look at how prejudice, racism and sexism fuels some elements of modern media, published in October 2012, by Palgrave Macmillan.
In August 2013, Deggans guest hosted CNN's media analysis show Reliable Sources, joining a select group of journalists and media critics filling in for departed host Howard Kurtz. Earlier in the same month, he was awarded the Florida Press Club's first-ever Diversity award, honoring his coverage of issues involving race and media. He received the Legacy award from the National Association of Black Journalists' A&E Task Force, an honor bestowed to "seasoned A&E journalists who are at the top of their careers." Deggans serves on the board of educators, journalists and media experts who select the George Foster Peabody Awards for excellence in electronic media.
He also has joined a prestigious group of contributors to the first ethics book created in conjunction with the Poynter Institute for Media Studies for journalism's digital age: The New Ethics of Journalism, published in August 2013, by Sage/CQ Press.
Deggans has won reporting and writing awards from the Society for Features Journalism, American Association of Sunday and Feature Editors, the Society of Professional Journalists, the National Association of Black Journalists, The Florida Press Club and the Florida Society of News Editors. In 2010, he made national headlines interviewing former USDA official Shirley Sherrod at the NABJ's summer convention in San Diego, leading a panel discussion that was covered by all the major cable news and network TV morning shows.
Named in 2009, as one of Ebony magazine's "Power 150" – a list of influential black Americans which also included Oprah Winfrey and PBS host Gwen Ifill – Deggans was selected to lecture at Columbia University's prestigious Graduate School of Journalism in 2008 and 2005. He has lectured or taught as an adjunct professor at Loyola University, California State University, Indiana University, University of Tampa, Eckerd College and many other colleges.
His writing has also appeared in the New York Times online, Salon magazine, CNN.com, the Washington Post, Village Voice, VIBE magazine, Chicago Tribune, Detroit Free Press, Chicago Sun-Times, Seattle Times, Emmy magazine, Newsmax magazine, Rolling Stone Online and a host of other newspapers across the country.
From 2004 to 2005, Deggans sat on the then-St. Petersburg Times editorial board and wrote bylined opinion columns. From 1997 to 2004, he worked as TV critic for the Times, crafting reviews, news stories and long-range trend pieces on the state of the media industry both locally and nationally. He originally joined the paper as its pop music critic in November 1995. He has worked at the Asbury Park Press in New Jersey and both the Pittsburgh Post-Gazette and Pittsburgh Press newspapers in Pennsylvania.
Now serving as chair of the Media Monitoring Committee for the National Association of Black Journalists, he has also served on the board of directors for the national Television Critics Association and on the board of the Mid-Florida Society of Professional Journalists.
Additionally, he worked as a professional drummer in the 1980s, touring and performing with Motown recording artists The Voyage Band throughout the Midwest and in Osaka, Japan. He continues to perform with area bands and recording artists as a drummer, bassist and vocalist.
Deggans earned a Bachelor of Arts in political science and journalism from Indiana University.
Join us for a look at how various arts organizations in Rockford are adapting to changing cultural and economic environments. You'll hear how the community's dance, theater, and visual arts groups are collaborating and innovating to reach new audiences.