Scott Tobias

Early in To the Bone, writer-director Marti Noxon's harrowing yet utterly approachable drama about eating disorders, Ellen (Lily Collins) considers a plate of food her stepmother has optimistically plopped in front of her. She runs down the calorie count: 280 for the pork, 350 for the buttered noodles, 150 for the roll, and 75 for butter.

After a very long engagement that began with the original Toy Story, Disney finally made an honest woman out of Pixar in 2006, when it paid the requisite billions to move the computer animation giant into the Magic Kingdom. But Disney's spirited 2010 hit Tangled made it abundantly clear that Pixar had a say in the creative marriage: The story of Rapunzel may be standard Disney princess fare, but the whip-crack pacing and fractured-fairy tale wit felt unmistakably Pixar. From now on, it would seem, Mickey Mouse and Luxo Jr.

Over nearly four decades and 40 documentaries, 82-year-old director Frederick Wiseman has taken reluctant ownership of terms like "direct cinema," "cinema verite" and "fly on the wall" — each suggesting a transparent sort of artistry, in which real life unfolds before the camera with minimal guidance from the man behind it.