Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music.

He is a regular contributor of stories about classical music to NPR's news programs and co-hosts NPR's classical music blog Deceptive Cadence.

Joining NPR in 1999, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music show Performance Today and for programs SymphonyCast and World of Opera.

He's produced live concerts, including a radio broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center and NPR's first classical music webcast from the Manhattan club (Le) Poisson Rouge, featuring the acclaimed Emerson String Quartet. He's also asked musicians to play in unlikely venues, such as cellist Alisa Weilerstein playing Bach at the Baltimore Aquarium. He's written and produced radio specials, like A Choral Christmas With Stile Antico, broadcast on stations around the country.

Huizenga's radio career began at the University of Michigan, where he hosted opera, jazz, free-form, and experimental radio programs at Ann Arbor's WCBN. As a student in the Ethnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, Md. and in his spare time writes about music for the Washington Post and overloads on concerts and movies.

They're celebrating Down Under. Today is Australia Day, a holiday marking the arrival of British ships at Sydney Harbour in 1788. A perfect day then to salute something truly Australian, something that speaks of national pride, austere landscapes and even the darker side of Australian history — the music of Peter Sculthorpe, who died last year at age 85.

The day composer John Luther Adams won the 2014 Pulitzer Prize for his symphonic seascape Become Ocean, I tracked him down in Houghton, Mich., in the northernmost reaches of the Upper Peninsula. Over a crackly phone line, Adams — who turns 62 Friday — said he never thought much about a career with a capital C.

Pill popping, pot smoking, back-stabbing, bed hopping and tantrum throwing — now we're talking classical music! At least that's what the new Amazon series Mozart in the Jungle would have us believe is all in a day's work for orchestra musicians. The 10-part series is based on a tell-all book of the same name published a decade ago by oboist Blair Tindall.

Farewells are never easy, especially when you're saying goodbye to a favorite musician. From conductors and composers to pianists, singers and critics, the classical music world lost many masterful musicians in 2014.

It's another new year and with it comes more resolutions, decisions and responsibilities.

How do you get off to a good start? That's a question many composers ask themselves when writing a piece of music. Some dive right in — BAM! Others ease into a new composition gently. See if you can identify these opening measures of music. Score high and consider yourself good to go for 2015. Score low and think about starting all over again!

Most years, Tom Huizenga and I spend a lot of time after Thanksgiving and well into December battling over — or, more truthfully, having many friendly but spirited discussions about — which recordings should comprise our 10 favorites of the year. We each come up with a list of 10, and then we start hammering things out in some amount of exquisite music-nerd agony. Some albums we agree upon, some are our individual picks.

Don't ask the members of the Dublin Guitar Quartet to play the time-honored classics of the Spanish repertoire. They might play traditional Spanish style classical guitars, but they're not your standard guitar ensemble. The Dubliners are strictly devoted to contemporary music. They've been commissioning new pieces and adapting others for both acoustic and electric guitars since 2002, when the group formed at the Dublin Conservatory of Music and Drama.

Mix a bit of yodeling with Tuvan throat singing, add in a pinch of Sardinian cantu a tenore, fold in compositions from cutting-edge composers and you have the vocal group Roomful of Teeth.

Pages