Tom Huizenga

Credit Mito-Habe Evans

Tom Huizenga is a music producer, reporter and blogger for NPR Music. He hosts NPR's classical music blog Deceptive Cadence.

A regular contributor of stories about classical music on NPR's news programs, Huizenga regularly introduces intriguing new classical CDs to listeners on the weekend version of All Things Considered. He contributes to NPR Music's "Song of the Day."

During his time at NPR, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music magazine Performance Today, and for the programs SymphonyCast and World of Opera. He produced the live broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center, concerts from NPR's Studio 4A and performances on the road at Summerfest La Jolla, the Gilmore International Keyboard Festival and New York's Le Poisson Rouge.

Huizenga's radio career began at the University of Michigan, where he graduated in 1986. During his four year tenure, he regularly hosted several radio programs (opera, jazz, free-form, experimental radio) at Ann Arbor's WCBN. As a student in the Enthnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

After college Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, MD, with his wife Valeska Hilbig, a public affairs director at the Smithsonian. In his spare time he writes about music for the Washington Post, overloads on concerts and movies and swings a tennis racket wildly on many local courts.

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Deceptive Cadence
10:43 am
Fri April 13, 2012

Talk Like An Opera Geek: How Verdi, Wagner and Puccini Got Their Grooves

Originally published on Wed April 11, 2012 2:03 pm

Talk Like An Opera Geek attempts to decode the intriguing and intimidating lexicon of the opera house.

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Deceptive Cadence
5:32 pm
Fri April 6, 2012

Around The Classical Internet: April 6, 2012

Credit Ken Howard/Metropolitan Opera
Not a new Food Network show: tenor Jay Hunter Morris, as Siegfried forging his sword, in the Metropolitan Opera's controversial Ring cycle.

Originally published on Fri April 6, 2012 4:08 pm

  • New York's Metropolitan Opera is gearing up to launch Wagner's complete Ring cycle, but just how "revolutionary" is the $16 million, 45-ton production? New York Times' Anthony Tommasini talks with Met GM Peter Gelb about the embattled Robert Le Page production, a conversation Parterre Box views as "damage control" on Gelb's part.
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Classics in Concert
3:35 pm
Fri April 6, 2012

Beethoven's String Quartet of Transcendence

Credit Frank Stewart / Savannah Music Festival
The Emerson Quartet play Beethoven at the Savannah Music Festival. From left: Philip Setzer, Eugene Drucker, David Finckel and Lawrence Dutton

Originally published on Thu July 5, 2012 4:37 pm

Beethoven's String Quartet Of Transcendence

In the spring of 1825, when Beethoven was 54, he became terribly sick. He was in bed for a month and he wrote to his doctor, "I am not feeling well ... I am in great pain." The doctor put Beethoven on a strict regimen, warning, "No wine, no coffee, no spices of any kind." The doctor also advised Beethoven to get away from the city to where he could find fresh air and "natural milk."

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Classics in Concert
9:10 am
Fri April 6, 2012

Daniel Hope: A Renaissance Man In Savannah

Credit Frank Stewart / Savannah Music festival
Daniel Hope occupies his time performing, recording, writing, shooting videos and running music festivals.

Originally published on Thu April 5, 2012 8:03 am

Even in this age of marathon multitaskers, British violinist Daniel Hope stands out.

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Deceptive Cadence
9:49 am
Mon April 2, 2012

Takacs Quartet: A Slice Of Schubert And A Bartok Palindrome

Credit Frank Stewart / Savannah Music Festival
The Takacs Quartet played Bartók and Schubert last week at the Savannah Music Festival.

Originally published on Mon April 2, 2012 8:43 am

(All this week, we're featuring concerts from the ongoing Savannah Music Festival.)

The Takács Quartet traveled to the Savannah Music Festival to play Bela Bartók's knotty, challenging String Quartet No. 4. But how did they warm up the crowd? With a slice of insistent, lyrical Schubert.

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