Tom Huizenga

Credit Mito-Habe Evans

Tom Huizenga is a music producer, reporter and blogger for NPR Music. He hosts NPR's classical music blog Deceptive Cadence.

A regular contributor of stories about classical music on NPR's news programs, Huizenga regularly introduces intriguing new classical CDs to listeners on the weekend version of All Things Considered. He contributes to NPR Music's "Song of the Day."

During his time at NPR, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music magazine Performance Today, and for the programs SymphonyCast and World of Opera. He produced the live broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center, concerts from NPR's Studio 4A and performances on the road at Summerfest La Jolla, the Gilmore International Keyboard Festival and New York's Le Poisson Rouge.

Huizenga's radio career began at the University of Michigan, where he graduated in 1986. During his four year tenure, he regularly hosted several radio programs (opera, jazz, free-form, experimental radio) at Ann Arbor's WCBN. As a student in the Enthnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

After college Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, MD, with his wife Valeska Hilbig, a public affairs director at the Smithsonian. In his spare time he writes about music for the Washington Post, overloads on concerts and movies and swings a tennis racket wildly on many local courts.

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Deceptive Cadence
1:43 pm
Wed February 22, 2012

Talk Like An Opera Geek: The Birth Of Opera

Originally published on Wed February 22, 2012 12:29 pm

(Talk Like An Opera Geek attempts to decode the intriguing and intimidating lexicon of the opera house.)

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Deceptive Cadence
4:01 pm
Thu February 16, 2012

Why Do People Hate Rap And Opera?

Credit Morozova Tatiana / iStock
Opera and rap seem to hit a nerve with many music lovers.

Originally published on Thu February 16, 2012 3:56 pm

So what's wrong with rap and opera? Not much, really. Except that last week when we asked readers to name their musical blind spots (genres or bands they ignored, either by choice or neglect) a distinct refrain emerged within the responses. Two examples:

"Oh, and by the way, rap is not music. It is mostly a bunch of meaningless drivel by people with no real talent and who certainly should not get paid."

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Deceptive Cadence
8:11 am
Tue February 14, 2012

A New Twist On A Leonard Cohen Classic For Valentine's Day

Credit Doriane Raiman / NPR
Simone Dinnerstein, at NPR's Studio 4A, plays The Cohen Variations, a new piece based on Leonard Cohen's song "Suzanne."

Originally published on Tue February 14, 2012 8:00 am

Deceptive Cadence
11:51 am
Sun February 12, 2012

From Hyperpianos To Harmonious Handel: New Classical Albums

What's the saying — the more things change, the more they stay the same? It seems that's how it goes in the ways we make music. MIT futurologist Tod Machover rethinks traditional instruments, coming up with new things like the hyperpiano; Pianist Michael Chertock gives it a go in an explosive excerpt below.

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Deceptive Cadence
4:02 pm
Fri February 10, 2012

Around The Classical Internet: February 10, 2012

Credit World Economic Forum
Benjamin Zander, lecturing in Davos, Switzerland on "Managing Complexity," was fired after 45 years at the New England Conservatory.

Originally published on Fri February 10, 2012 3:53 pm

  • Conductor, educator and lecturer Benjamin Zander was fired from his post at the New England Conservatory last month over his hiring of a registered sex offender as a NEC videographer.
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