Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music.

He is a regular contributor of stories about classical music to NPR's news programs and co-hosts NPR's classical music blog Deceptive Cadence.

Joining NPR in 1999, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music show Performance Today and for programs SymphonyCast and World of Opera.

He's produced live concerts, including a radio broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center and NPR's first classical music webcast from the Manhattan club (Le) Poisson Rouge, featuring the acclaimed Emerson String Quartet. He's also asked musicians to play in unlikely venues, such as cellist Alisa Weilerstein playing Bach at the Baltimore Aquarium. He's written and produced radio specials, like A Choral Christmas With Stile Antico, broadcast on stations around the country.

Huizenga's radio career began at the University of Michigan, where he hosted opera, jazz, free-form, and experimental radio programs at Ann Arbor's WCBN. As a student in the Ethnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, Md. and in his spare time writes about music for the Washington Post and overloads on concerts and movies.

Before I touched down in Germany for another Christmas and New Year's with my wife's family, I had never heard of Bernard Victor Christoph Carl von Bülow.

There was nothing ordinary about Czech composer Leos Janáček. He set one opera in a barnyard and another on the moon. He fell for a married woman more than 30 years his junior, proceeding to write more than 700 love letters. And in his mid-60s, he churned out piece after amazing piece in one of classical music's most impressive late surges.

The Bulgarian-born pianist Alexis Weissenberg, whose musical talent as a youngster probably saved his life and that of his mother, died Sunday at age 82.

With all the chatter about the death of the compact disc, anxiety in the recording industry and the domination of downloads, the flood of CDs overflowing my mailbox never seems to recede. Need a new Bruckner 4th, an Adès anthology or piano music by Pärt? How about Azerbaijani concertos, Schubert sonatas or a new Midsummer Night's Dream?

NPR Classical's 10 Favorite Albums Of 2011

Dec 8, 2011

The silly season of endless lists is upon us. You might notice that here at Deceptive Cadence, we don't even try to enumerate which albums were "best" — we use the word "favorite" quite intentionally, as you'll see from the pan-genre list painstakingly compiled with our NPR Music colleagues.

(Talk Like An Opera Geek attempts to decode the intriguing and intimidating lexicon of the opera house.)

Gabriel Kahane seems to enjoy blurring the lines between indie rock and indie classical. He arrived at the NPR Music offices with a string quartet and an electric guitarist in tow, and though they hadn't played together for long, you'd never know it.

December is just around the corner — a time when we look back at musical events, catalog our favorite records of the year and, inevitably, remember musicians who died.

One of 2011's biggest losses was composer Daniel Catán. Tomorrow (Friday the 25th), many PBS stations will broadcast his final opera, Il Postino, in the world premiere LA Opera production starring Placido Domingo.

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