World Cafe

Although Dawes' members have only been together since 2009, the L.A. band's romantic roots rock sounds like the product of an entirely different era.

It's a stretch to call "Beth/Rest" the year's most divisive song, but it's hard to discuss Bon Iver's second album without weighing in on its '80s-style closer. Next to the lush, impeccably crafted grace that precedes it, "Beth/Rest" couldn't be more jarring: With its electric keyboards, saxophones and epic guitar solos, the track could double as the lost love theme to a misbegotten action movie in which Morgan Fairchild seduces a suave diamond thief played by Lou Diamond Phillips.

Some people call him space cowboy, some people call him the gangster of love, but most know him as Steve Miller, the guitarist and vocalist whose laid-back, infectiously catchy tunes have soothed the nation for decades.

Though Annie Clark began as a member of Sufjan Stevens' touring band and The Polyphonic Spree, those experiences do little to explain the incredible things that happen on Strange Mercy, her third album under the moniker St. Vincent. As if unleashed from the constraints of her previous work, Clark straight-up shreds.

Ditching the prog-folk of their previous two albums, The Decemberists have taken a more cut-and-dried approach with The King Is Dead. Recorded in a barn outside of Portland, the album has strong ties to R.E.M. in sound and production — Peter Buck, guitarist for R.E.M., decided to climb on board for three songs.