Although it always seems fashionable to forecast the downfall of classical music, enterprising musicians both young and not so young continue to make deeply satisfying recordings. For this visit to weekends on All Things Considered, I was delighted to uncover the little known (at least in this country) Jorge Luis Prats, a terrifically talented Cuban pianist whose once uncertain career appears to be resurging — at 55, he has signed a handsome record deal. Then there's The Knights, a young chamber orchestra with a postmodern take on Schubert.
I'm not sure how the Daily Mail arrived at the unfortunate headline "An Unlikely Fan: Why Opera's Biggest Star, Domingo Placido Is Crazy For Lady Gaga." The obvious hed goof aside, it's not like Domingo gives La Gaga effusive praise: "I think Lady Gaga has a very good voice. Absolutely. She has a wonderful voice.
At first blush, you might not think operas and nightclubs would be a natural pairing. But an evening at New York's (Le) Poisson Rouge with Danielle de Niese — the 33-year-old star soprano who calls herself a "diva for the digital age" — proved a blend of uptown music and downtown grit could be just right.
The Lebanese classical musician and composer Marcel Khalife is often compared to Bob Dylan — not for his music, but for his politics. The Middle Eastern musical and political icon sings about freedom and nationalism.
Khalife is famous for translating poetry into music. For years, he collaborated with the nationalist Palestinian poet Mahmoud Darwish.
"It began when I graduated from the music conservatory in Beirut. The civil war started in Lebanon — I wanted to change the world with music," says Khalife.