György Ligeti's surreal opera Le Grand Macabre was the hit of the New York Philharmonic's 2009-2010 season, in a semi-staged production that featured Barbara Hannigan (left) as Gepopo and Anthony Roth Costanzo as Prince Go-Go.
Although a few radical composers had no use for opera in the mid-20th century (like Pierre Boulez, who infamously advocated blowing up the world's opera houses), the art form in Europe brushed itself off and began to thrive again after World War II.
Originally published on Tue April 24, 2012 3:09 pm
Pity the poor percussionist in Mozart's day. He didn't have much to do in the orchestra, save for the occasional punctuating roll of the kettledrum (usually supporting a burst of brass) or the rare ping of a triangle.
Joshua Bell, the violin prodigy who grew into what some call a classical-music rock star, has taken the helm of the Academy of St. Martin in the Fields. Bell is the orchestra's first music director since Sir Neville Marriner, who created the group.
On his first tour with the group as both music director and conductor, Bell plays the violin while conducting the orchestra simultaneously, gesturing with his bow. And he leads from the concert master's chair, rather than the podium, which seems unusual to some audiences.