Originally published on Mon January 30, 2012 9:34 am
Philip Glass turns 75 tomorrow. Impossible, you say? Given his two dozen operas, reams of orchestral music, virtually uncountable film scores and scads of projects in every discipline, isn't he like 90 or 100 or 110? Or, judging by his kaleidoscopic connections and collaborators, isn't he somewhere between 20 and 50, hunkered down among hipsters and plotting his next move toward musical world domination?
Originally published on Fri January 27, 2012 2:27 pm
New York's Columbus Avenue isn't exactly the mean streets – but Chinese conductor Long Yu might not think so anymore. On the eve of making his New York Philharmonic debut last Tuesday, Yu was walking after dinner with a friend when a man approached to bum a cigarette. When Yu waved him off, the man lashed out and struck the conductor in the eye.
Originally published on Wed January 25, 2012 12:37 pm
(Talk Like An Opera Geek attempts to decode the intriguing and intimidating lexicon of the opera house.)
It happens every day. You're at the opera and the know-it-all next to you starts analyzing arias, cataloging cabalettas and generally running on about recitatives. You gulp your champagne with equal measures of disgust and shame.
If you only knew what the oaf was pontificating about, you could call his bluff on buzzwords from da capo arias to ariosos. For such occasions, a little operatic ammunition — in the form of jargon-busting — is necessary.
Originally published on Tue January 24, 2012 10:00 am
Here at Deceptive Cadence, we hope the music we share most Tuesdays — what's piqued our interest and pricked up our ears — will urge you towards discovering new sounds in a flash. But today's review has even more of a time-stamp than usual.
Originally published on Mon January 23, 2012 1:32 pm
Happy New Year — Chinese New Year, that is. Today marks the first day in the Year of the Dragon and, according to the Chinese calendar, the end of the winter season. The Chinese think of it as their spring festival.