On the day after the Supreme Court concluded its epic term in June, two of the supreme judicial antagonists, Justice Antonin Scalia and Justice Ruth Bader Ginsburg, met over a mutual love: opera.
When it comes to constitutional interpretation, the conservative Scalia and the liberal Ginsburg are leaders of the court's two opposing wings. To make matters yet more interesting, the two have been friends for decades, since long before Scalia was named to the court by President Reagan and Ginsburg by President Clinton.
In honor of our search for the great American symphony, here's an encore presentation of one of our favorite Artunes. Got an idea for a classical cartoon or a reaction to this one? Leave your thoughts in the comments section.
Hear JoAnn Falletta's Discussion With Robert Siegel
Our country's culture is a vast conglomeration of more than 200 years of influences from all over the world. We have taken what began as an extraordinary European tradition and expanded that legacy on American soil. We have added our essential egalitarianism, our love of experimentation, our inclusiveness and our boldness to the very form of the symphony. Americans have not been bound by one definition of the symphony, and composers have applied that formal name to pieces of varying length, structure and content.
Michael Tilson Thomas and the San Francisco Symphony have been consistent champions of American music of all shapes and sizes. Are there — or will there be — American symphonies that stand with those of Mozart and Beethoven, Mahler and Shostakovich?
Critics and fans love a good debate over the great American novel or great American movie. But what about the great American symphony?
Is there one? If not, why? If so, which symphonies are good candidates for the title? (Check out our Spotify list for some contenders.) And in the land of the melting pot, what does it mean for a symphony to be "American" in the first place?
Maya Beiser's Twitter handle — @CelloGoddess — says it all. She's a brilliant cellist with a stunning command of her instrument, and she's tightly tied to technology. Beiser takes the sound of her cello and runs it through loop pedals, effects and other electronics to make her instrument shimmer, drone and groove. Then there's her magnificent sense of melody.