Inspiration can come from unlikely places. For composer Robert Kyr, the silence of a desert monastery is key to the radiant music on his new disc of recent choral works performed by the vocal ensemble Conspirare and its director Craig Hella Johnson.
Kyr travels frequently to the Monastery of Christ in the Desert, in northern New Mexico, from his home in Eugene, Ore., where he teaches composition at the University of Oregon. Living among the monastery's Benedictine monks, Kyr hikes along the winding Chama River by day and composes music in a bare-walled room at night.
Originally published on Tue August 12, 2014 8:44 am
Last month, The New Yorkerannounced that it was teasing a new "freemium" version of its website (which launches this fall) with an alluring proposition. All of its most recent pieces, plus the full archives back to 2007 and some even older selections, are free for the rest of the summer.
So we took this opportunity to dig up some delicious classical music-minded pieces from the magazine's archives. They're perfect long reads for a lazy August afternoon.
Sooner or later it had to happen — an all-classical Drum Fill Friday. This week's puzzler proves that the world of Beethoven, Stravinsky and Bartók can serve up beats as thunderous as any double drummer metal band.
Originally published on Mon August 4, 2014 11:07 am
As Beethoven set about composing his Third Symphony, his hearing was failing and he felt certain his life was about to get worse. That it was born in a moment of despair may help explain why the finished work, for all its grandeur, is extremely odd — employing devices that are by turns aggressive and mundane, somber and practically danceable.
Originally published on Tue August 26, 2014 12:37 pm
Think opera plots are tough to follow? Try wading through the complicated drama playing out offstage at the Metropolitan Opera. At its most basic, it's the story of management and labor unions fighting over a supposedly dwindling pot of money.
At the Metropolitan Opera, drama is usually onstage. But for the past several months, it's been in the newspapers.
Contract deadlines for 15 of the 16 unions at the Met in New York are set to expire at midnight tonight, and negotiations will likely go down to the wire. A lockout shutting down the world's largest opera house seems imminent.
Management wants concessions from the unions to offset dwindling ticket sales. Union employees think they're being asked to pay for unchecked spending.
One hundred years ago today, the Austro-Hungarian Empire declared war on Serbia. The conflict drew in country after country and grew to an unprecedented scale. An estimated 9 million combatants lost their lives and more than 21 million were wounded in what came to be known as The Great War and, eventually, World War I.
Originally published on Sat July 26, 2014 12:32 pm
When an opera company is in the midst of contentious labor negotiations, the results can be dramatic. This week, the war of words between unions and management at New York's Metropolitan Opera, the world's largest opera company, escalated. An Aug. 1 shut down now seems likely.
At the center of the debate is the ballooning Met budget, which stood at $200 million in 2006 but has since climbed to more than $325 million. Met General Manager Peter Gelb asserts that union salaries and benefits are his biggest costs, accounting for two-thirds of the operating budget.