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Around The Classical Internet: January 27, 2012

Jan 27, 2012

  • New York's Columbus Avenue isn't exactly the mean streets – but Chinese conductor Long Yu might not think so anymore. On the eve of making his New York Philharmonic debut last Tuesday, Yu was walking after dinner with a friend when a man approached to bum a cigarette. When Yu waved him off, the man lashed out and struck the conductor in the eye.

(Talk Like An Opera Geek attempts to decode the intriguing and intimidating lexicon of the opera house.)

It happens every day. You're at the opera and the know-it-all next to you starts analyzing arias, cataloging cabalettas and generally running on about recitatives. You gulp your champagne with equal measures of disgust and shame.

If you only knew what the oaf was pontificating about, you could call his bluff on buzzwords from da capo arias to ariosos. For such occasions, a little operatic ammunition — in the form of jargon-busting — is necessary.

A Quarter-Century Of Banging, And Still As Fresh As Ever

Jan 24, 2012

Here at Deceptive Cadence, we hope the music we share most Tuesdays — what's piqued our interest and pricked up our ears — will urge you towards discovering new sounds in a flash. But today's review has even more of a time-stamp than usual.

Happy New Year — Chinese New Year, that is. Today marks the first day in the Year of the Dragon and, according to the Chinese calendar, the end of the winter season. The Chinese think of it as their spring festival.

The outburst of Western classical music in China over the past decade has been called nothing short of a frenzy by some observers. Estimates vary widely, but it's reported that somewhere between 50 and 100 million Chinese children are studying piano, violin and other Western instruments. One piano manufacturer alone, the Pearl River Company, builds around 100,000 pianos per year.

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