Originally published on Wed October 24, 2012 12:15 pm
Roomful of Teeth is an exciting young vocal octet founded just three years ago and directed by Brad Wells. And if the group's name is a little, um, in your face, that's entirely intentional. Their eponymous debut album on New Amsterdam Records (funded via Kickstarter) is a thoroughly 21st-century re-imagining of a capella vocal music — experimental, multi-textured and more than ready to blur the lines between pop and art music.
Twenty-five years ago today, Houston Grand Opera mounted the world premiere of Nixon in China, the first opera by a young composer named John Adams. Two days later, The New York Times described it as a "coy and insubstantial work" and "hardly a strong candidate for the standard repertory."
As with food, as with fashion, as with film, there does seem to be a distinct French style when it comes to composition. The much-heralded English pianist Stephen Hough has been studying what makes a piece of music uniquely French. It's resulted in his latest collection: the French Album.
With works by Debussy, Faure, Poulenc and a number of lesser-known composers, Hough says he considers this new album "a sort of musical dessert trolley."
Originally published on Thu October 25, 2012 8:57 am
Symphony returns in Indianapolis: Indianapolis Symphony Orchestra musicians, who had been locked out since Sept. 10, came to a two-stage agreement with the Indianapolis Symphony Society, which runs the orchestra. The first of the new contracts is a bridge agreement that keeps the orchestra running until Feb.
Good news came in twos today for Rockford's Laurent House, the only home Frank Lloyd Wright designed specifically for wheelchair accessibility. The house has been named to the National Register of Historic Places. And the Laurent House Foundation, the not-for-profit group that purchased the home earlier this year, has announced the date it will open as a museum -- June 8th, 2013, Wright's 146th birthday.
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Originally published on Thu October 18, 2012 9:49 am
There's something about Johann Sebastian Bach's music that nourishes musicians. Pianist Andras Schiff and cellist Yo-Yo Ma have said that they play Bach almost every day — like having breakfast, it seems essential for them.
Everywhere you look right now, it seems like American symphony orchestras are fighting for their lives — strikes, lockouts, bankruptcy. Perhaps the biggest example is the world-renowned Philadelphia Orchestra, which is just coming out of its own bankruptcy. Tonight, its new 37-year-old music director takes the podium as the venerable orchestra begins a reboot.
The Budapest String Quartet has always been my standard-bearer for chamber music. I grew up listening to their recordings, and especially admired not only their gorgeous sound, but also the uncanny interaction among all four players, even when there were changes in personnel. They had a way of playing as if they were speaking to each other, expressing deep and sometimes complicated feelings.