Earlier this year, classical percussionist Mike Tetreault walked onstage at Symphony Hall in Boston for the audition of a lifetime: The Boston Symphony Orchestra was looking for not just one but two new percussionists.
People keep asking me why I recorded Sergei Prokofiev's Fifth Symphony for my first CD release in my new post leading the Sao Paulo Symphony Orchestra. The simple answer is that it just felt right. But in thinking about it, I can now see many parallels — at least for me — between Prokofiev's music, the city of Sao Paulo and the country of Brazil.
Remember the interview with "sonochromatic artist cyborg" Neil Harbisson? He was born without the ability to see any colors at all, but his prosthetic eyepiece translates color into sound — and he has started reinterpreting music visually through his new perceptions of color, as in his painting based on Mozart's "Queen of the Night" aria.
Misha Dichter is a man of many talents, though you probably know him as the gifted pianist who won the silver medal at 1966 Tchaikovsky Competition, spurring an international career that has lasted more than 40 years.
Jobs, jobs, jobs. Who needs them, who's going to get them and who might lose them? It's a hot topic on the campaign trail. With the addition of only about 80,000 jobs last month, the June unemployment rate remained at a stubborn 8.2 percent.
Robin Ticciati is the principal conductor of the Scottish Chamber Orchestra and principal guest conductor of the Bamberg Symphony in Germany. He's conducted at the Metropolitan Opera and just finished a run of Britten's Peter Grimes at La Scala. Ticciati has also been tapped to take over England's storied Glyndebourne Festival Opera in 2014. And did I mention he's under 30?