Seventy-five years ago, an American institution was born: Tanglewood, the summer home of the Boston Symphony Orchestra, a cultural mecca to arts lovers and the musical refuge for generations of young artists.
Originally published on Tue September 18, 2012 3:41 pm
For New York Polyphony, it's location, location, location. The four-man vocal ensemble thrives on music from the Renaissance, much of it designed for cavernous, reverberant spaces. Think voices soaring through arched cathedrals. But madrigals by Flemish composer Orlando di Lasso, with their more intimate storytelling vibe, are suited for smaller venues — like, say, the living room of New York Polyphony bass Craig Phillips.
Like the music of his good friend Béla Bartók, Scottish composer Erik Chisholm's two piano concertos rely heavily on folk sources. But in Chisholm's case, the influences come from Scotland and India rather than Bartók's beloved Eastern Europe.
This week, Gustavo Dudamel was in Scotland to visit Raploch, Stirling, the "former haunt of notorious crime-clan matriarch Big Mags Haney and once so educationally deprived it was dubbed a 'higher-free zone.'" It now is the home of Big Noise, a classical music project for kids run by Sistema Scotland.
Morning Edition interview with Dan Klefstad (June 22, 2012).
Molly McNett doesn't write exclusively about the Midwest, but rural Illinois is a big part of her identity and her writing. "I'm not going to write about hipsters in Brooklyn," she says, "because I just don't know a lot about that."