Originally published on Fri February 24, 2012 2:02 pm
Stephen Colbert had Plácido Domingo on as his guest last night. (Question: "What's the longest it's taken you to die on stage?" Answer: Simon Boccanegra — get poisoned in the second act, don't die until the third.) Also, they sang "La donna è mobile" together.
On this week's show, we're coming up to the Oscars, so it seemed like a great time to sit down with the delightful Bob Mondello, film critic for All Things Considered.
We talk about The Artist — which we all agree is the likely Best Picture winner on Sunday night — and how its limitations of silence and black and white operate to perhaps make it stronger. We discuss how it might look different to those who see it on home video, and it's safe to say we all think you're better off seeing it in a theater.
For his third symphony, the 26-year-old American composer Mohammed Fairouz decided to incorporate text in three languages. Poems and Prayers, which had its debut Thursday in New York, features passages in Arabic, Hebrew and Aramaic.
The symphony was commissioned by Northeastern University, where Fairouz teaches. The idea was to write something exploring the conflicts in the Middle East, so for inspiration, Fairouz delved into the region's poetry — both ancient and modern.
Originally published on Wed February 22, 2012 10:47 am
So what's wrong with rap and opera? Not much, really. Except that last week when we asked readers to name their musical blind spots (genres or bands they ignored, either by choice or neglect) a distinct refrain emerged within the responses. Two examples:
"Oh, and by the way, rap is not music. It is mostly a bunch of meaningless drivel by people with no real talent and who certainly should not get paid."