Jeff Lunden

The last time New York's Metropolitan Opera presented a work written by a woman was 113 years ago. It's a drought that lasted longer than the years between the Cubs' World Series victories. That situation has finally been rectified this week with the New York premiere of the opera L'Amour de Loin by Finnish composer Kaija Saariaho.

Christmas is coming, and soon TV screens everywhere will light up with that 1946 holiday classic, It's a Wonderful Life. But the same story is coming a little early to the stage of the Houston Grand Opera. That's right: An operatic version of George Bailey's struggle with life and death opens this Friday.

Librettist Gene Scheer admits that adapting such a beloved movie has sometimes felt like a fool's errand. "It's almost secular scripture, this piece," he says. "Everyone knows all the lines."

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Yesterday in New York, something very big happened outside Lincoln Center: One thousand people gathered to sing a new piece by Pulitzer Prize-winning composer David Lang. Entitled the public domain, it was a celebration of the 50th anniversary of the Mostly Mozart festival.

Miles Salerni, a 25-year-old percussionist, is one of this year's elite instrumental Fellows at Tanglewood, the Boston Symphony Orchestra's summer home in the Berkshires in western Massachusetts. But it took him a while to get there — five tries, to be exact.

Many audition for this prestigious training program, but few are selected. When Salerni got rejected for the third time, he knew he had to find another way to get to Tanglewood.

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