At the Metropolitan Opera, drama is usually onstage. But for the past several months, it's been in the newspapers.
Contract deadlines for 15 of the 16 unions at the Met in New York are set to expire at midnight tonight, and negotiations will likely go down to the wire. A lockout shutting down the world's largest opera house seems imminent.
Management wants concessions from the unions to offset dwindling ticket sales. Union employees think they're being asked to pay for unchecked spending.
One hundred years ago today, the Austro-Hungarian Empire declared war on Serbia. The conflict drew in country after country and grew to an unprecedented scale. An estimated 9 million combatants lost their lives and more than 21 million were wounded in what came to be known as The Great War and, eventually, World War I.
When an opera company is in the midst of contentious labor negotiations, the results can be dramatic. This week, the war of words between unions and management at New York's Metropolitan Opera, the world's largest opera company, escalated. An Aug. 1 shut down now seems likely.
At the center of the debate is the ballooning Met budget, which stood at $200 million in 2006 but has since climbed to more than $325 million. Met General Manager Peter Gelb asserts that union salaries and benefits are his biggest costs, accounting for two-thirds of the operating budget.
The clock is ticking for the Metropolitan Opera in New York. The world's largest opera company may be headed for a shutdown. Most of the union contracts for the Met expire in a week. Yesterday, Met General Manager Peter Gelb sent a letter to the unions, warning them to prepare for a lockout if they don't come to terms.
For months now, the company and its unions have been at an impasse. Management has proposed cutting 16 percent of union members' compensation. Otherwise, Gelb contends, the company could go bankrupt in two to three years.
If you're a classical guitarist, it may be impossible to resist the pull of one iconic piece: the Concierto de Aranjuez by Spanish composer JoaquΓn Rodrigo. Many musicians regard it as the holy grail of guitar repertoire, including a man so big in the classical world he is known by only one name: Milos.
Elaine Stritch β one of Broadway's boldest and brassiest performers β has died. With that gravelly voice β and those long legs β and that utter command of the stage, Stritch was a bona fide Broadway star. Not as a classic leading lady, necessarily, but as the hardened-yet-vulnerable performer audiences couldn't forget. Stritch died of natural causes Thursday morning at her home in Birmingham, Mich. She was 89.