Several years after he wrote his massive and existentially searching Second Symphony, Gustav Mahler withdrew the three separate sets of notes he had issued about it, on the grounds that the music should be able to stand on its own, its meaning instantly clear. And the poetry Mahler assigned to the chorus and vocal soloists in this sprawling work is incisive and illuminating. As Mahler wrote in his text for the concluding movement, "Sterben werd' ich, um zu leben!" (I will die, that I might live!).
Originally published on Fri February 24, 2012 2:02 pm
Stephen Colbert had Plácido Domingo on as his guest last night. (Question: "What's the longest it's taken you to die on stage?" Answer: Simon Boccanegra — get poisoned in the second act, don't die until the third.) Also, they sang "La donna è mobile" together.
On this week's show, we're coming up to the Oscars, so it seemed like a great time to sit down with the delightful Bob Mondello, film critic for All Things Considered.
We talk about The Artist — which we all agree is the likely Best Picture winner on Sunday night — and how its limitations of silence and black and white operate to perhaps make it stronger. We discuss how it might look different to those who see it on home video, and it's safe to say we all think you're better off seeing it in a theater.