Originally published on Wed October 17, 2012 10:42 am
After 17 years molding the Los Angeles Philharmonic into one of the smartest and most adventurous U.S. orchestras, music director Esa-Pekka Salonen called it quits in 2009. Among his reasons for leaving the ensemble was to devote more time to composing.
Originally published on Wed October 17, 2012 3:53 pm
New York Philharmonic Music Director Emeritus Kurt Masur, 85, has announced that he has been living with Parkinson's disease for several years: "I have had the fortune of receiving great medical care since the diagnosis, enabling me to continue my conducting activities. These recent events have served as a good opportunity to make a return to the podium with a greater sense of purpose and awareness."
Originally published on Thu October 11, 2012 12:38 pm
(In this third and final part of a series, pianist Jonathan Biss explores the idea of musical longing in Robert Schumann's music. Click the audio link above to hear Biss play Schumann and discuss the composer with Performance Todayhost Fred Child.)
It's been a tumultuous time for American orchestras. Labor disputes have shut down the Minnesota Orchestra and Indianapolis Symphony, and strikes and lockouts have affected orchestras in Chicago, Atlanta and Louisville in the past year.
Originally published on Tue October 16, 2012 2:39 pm
(Pianist Jonathan Biss decodes the unconventional relationship between Robert Schumann and his wife Clara in this second essay for our week dedicated to this composer. Click the audio link above to hear him play Schumann and discuss his work with Performance Today host Fred Child.)
Originally published on Wed March 27, 2013 10:03 am
(For our week dedicated to Robert Schumann, pianist Jonathan Biss defends this misunderstood composer in the first of three essays. Click the audio link above to hear him play Schumann and discuss the composer with Performance Today host Fred Child.)
Originally published on Mon October 8, 2012 8:25 am
All this week, we'll be focusing our lens on the music of Robert Schumann and the lasting impact of his work. Leading the conversation is pianist Jonathan Biss, who's making a 30-concert project out of this Schumann exploration all season long and who has written a series of essays on Schumann. Starting things off for us today is musicologist and Schumann expert Eric Frederick Jensen.
Among the 23 recipients of the MacArthur "genius" grants this past week: an economist, a mathematician, a photographer, a neuroscientist, and a Boston-based stringed instrument bow maker.
Benoit Rolland acknowledges that the violin reigns supreme as the star of the strings, capable of fetching millions of dollars at auction. But what about the bow? "A violin with no bow is not a violin, that's clear," says Rolland.