Originally published on Tue January 24, 2012 10:00 am
Here at Deceptive Cadence, we hope the music we share most Tuesdays — what's piqued our interest and pricked up our ears — will urge you towards discovering new sounds in a flash. But today's review has even more of a time-stamp than usual.
Originally published on Mon January 23, 2012 1:32 pm
Happy New Year — Chinese New Year, that is. Today marks the first day in the Year of the Dragon and, according to the Chinese calendar, the end of the winter season. The Chinese think of it as their spring festival.
Lang Lang joins the Quintessenso Children's Choir for a concert of Chinese New Year favorites, part of WQXR's <a href="http://www.wqxr.org/#/series/china-new-york/"target="_blank"">China in New York</a> festival.
Originally published on Mon January 23, 2012 9:13 am
The outburst of Western classical music in China over the past decade has been called nothing short of a frenzy by some observers. Estimates vary widely, but it's reported that somewhere between 50 and 100 million Chinese children are studying piano, violin and other Western instruments. One piano manufacturer alone, the Pearl River Company, builds around 100,000 pianos per year.
The productions of <em>Le Crazy Horse de Paris</em> blend technical and choreographic artistry, using bodies, lights and costumes to create an erotically charged experience. Filmmaker Frederick Wiseman set out to document how it all comes together.
Credit Antoine Poupel / Zipporah Films
Performers at Crazy Horse are known for their physical uniformity.
Originally published on Thu January 19, 2012 10:56 pm
Over nearly four decades and 40 documentaries, 82-year-old director Frederick Wiseman has taken reluctant ownership of terms like "direct cinema," "cinema verite" and "fly on the wall" — each suggesting a transparent sort of artistry, in which real life unfolds before the camera with minimal guidance from the man behind it.
Originally published on Tue January 17, 2012 12:41 pm
One of the most influential and widely hailed figures in the modern early music movement, conductor, harpsichordist and organist Gustav Leonhardt, has died at 83. Just a month ago, after a concert at Paris' Théâtre des Bouffes du Nord, Leonhardt abruptly announced that he had just given his last public performance. According to Dutch press reports, he died yesterday in Amsterdam, though the cause of death was not released.
Originally published on Mon January 16, 2012 8:00 am
Are you an extremely talented orchestral player? Looking for something to do summer after next? Are you a teenager? If the answer to all three is yes, here's a chance to meet other kids who love Bach and Brahms as much as you do and to learn from some of America's finest musicians. Many of your expenses will be paid, you'll have the honor of being associated with one of the world's foremost presenters, and — oh yeah, one last thing — you'll get to tour the world with Valery Gergiev.
Originally published on Fri January 13, 2012 6:15 pm
As of Monday, New York City Opera had locked out orchestra and chorus members though the company's first production of the 2011-12 season, a weeklong run of La Traviata at the Brooklyn Academy of Music scheduled to begin Feb. 12. Risa Heller, a spokeswoman for the opera, says City Opera is taking things 'one day at a time.' But with a first performance scheduled for Feb. 12 at the Brooklyn Academy of Music, time is running out.
Originally published on Thu January 12, 2012 3:03 pm
By Patrick Jarenwattananon
Pianist and composer Vijay Iyer leads a trio that traffics in grooves, crackling and heavy. He has a distinctive way of exploiting dissonance and rhythmic space at the piano; he's joined by a deeply resonant, gut-punching bassist (Stephan Crump) and a drummer with an advanced understanding of time (Marcus Gilmore). The results are beats that feel borrowed from a future age; alternately, they're new lenses on jazz's big-picture history.
Originally published on Thu January 12, 2012 10:20 am
By Amanda Ameer
As Gil Shaham wandered through the back offices of the Hirshhorn Museum and Sculpture Garden in Washington, D.C., he said he felt "like Ben Stiller in Night at the Museum." For this impromptu Bach mini-recital, the violin superstar momentarily became part of the art, bathed in the modish lighting and projections of a multimedia installation during the performance.