Originally published on Thu January 12, 2012 10:20 am
By Amanda Ameer
As Gil Shaham wandered through the back offices of the Hirshhorn Museum and Sculpture Garden in Washington, D.C., he said he felt "like Ben Stiller in Night at the Museum." For this impromptu Bach mini-recital, the violin superstar momentarily became part of the art, bathed in the modish lighting and projections of a multimedia installation during the performance.
Originally published on Tue January 10, 2012 3:00 pm
There was nothing ordinary about Czech composer Leos Janáček. He set one opera in a barnyard and another on the moon. He fell for a married woman more than 30 years his junior, proceeding to write more than 700 love letters. And in his mid-60s, he churned out piece after amazing piece in one of classical music's most impressive late surges.
Originally published on Fri January 6, 2012 2:04 pm
Paypal has confirmed a story that seemed at first to be too wild to be true: They told a customer to destroy a violin after a contentious eBay transaction. The instrument's provenance was disputed (though incorrect labels aren't exactly uncommon in the violin world).
Originally published on Tue January 3, 2012 12:53 pm
For string quartet lovers, a new release by the Takács Quartet is always reason to celebrate. In recent years, their vividly intense recordings of Schubert, Schumann and Brahms, not to mention Bartok and Beethoven, have continued to garner the huge acclaim that has become the nearly default critical response over some three decades.
Originally published on Mon January 2, 2012 6:00 am
David Lehman is a poet and the series editor for The Best American Poetry series.
Three of my favorite poems of 2011 share a sense of mystery and the uncanny – a spooky but also exhilarating glimpse of a spiritual world beyond our own. All favor plain speech, an unadorned directness, eschewing the glamour of rhyme or traditional form.
Originally published on Fri December 30, 2011 3:09 pm
How exactly does a conductor conduct? New York magazine critic Justin Davidson steps on the podium to find out after an intensive fall of coaching by Alan Gilbert and James Ross who co-lead Juilliard's conducting program. "Lifting the baton feels a little like getting ready to push off from the top of a ski slope, in that I'll move in the right direction whatever I do, and also because fear will cause disaster. Neither fact is comforting."
Originally published on Tue December 27, 2011 9:24 am
The folk music of Azerbaijan pervades the very rarely heard symphonic works on this album. A winning synthesis of East and West, these pieces — mostly for piano — feature five of the country's most celebrated composers, including Farhad Badalbeyli, who's also the principal piano soloist.